One motif from the doors of central Najd, worked into patterns you can use.
The triangle band — two rows of triangles facing across a line of discs — is documented on Najdi doors and window shutters. 3reeq takes that one motif and runs it through the design guidelines’ own method: repeat it, abstract it, scatter it. Each step is a different pattern with the same origin.
Four so far, from the one motif. Each tiles cleanly — along a line or across a field.
The documented form: triangles down, a row of discs, triangles up. Repeats along an edge.
On doors and window shutters
Across the rail of a door.
The band stacked. The triangles line up column to column and the pattern fills an area.
On cloth, tilework, a wall
Woven or printed on cloth.
Abstracted: discs dropped, triangles reduced to a line, the repeat widened. A quiet border.
Framing a page or a screen
A rule at the head of a page.
The triangles scattered and thinned. Reads as texture, not figure — it sits behind text.
As a background ground
Behind a block of text.
The guidelines’ own five-step method, applied to the one motif. Each step is one of the patterns above.
An interactive generator — change the motif and the settings, watch the patterns update — is in progress. Until then, these four are hand-run.
#781F19 #9D622B #EFA94A — iron oxide, local#E6D2B5 gypsum · #1A1512 soot#063971 — traded up the Gulf; rarer inlandNo source publishes this band’s proportions. Alnaim gives one ratio — 2:1, and it is the door’s. The geometry here is a construction: proportions chosen, not derived. The method is the guidelines’; the patterns are 3reeq’s.